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Danielle Moore: Talking Tech, Lockdown and the Importance of Live Music – Ian Davies

Danielle Moore – Ian Davies

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Push and Pull: Creative Practice and Creating Technologies – Sophie Rose

Inhuman, All Too Inhuman: Intrinsic Limits of Computational Creativity in Music – Mattia Merlini & Stefano Maria Nicoletti

July 23, 2020 Sarah Raine News Leave a comment

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OA journal for experimental writing, art, photography, composition + performance on Popular Music. Current issue: Vol 7, Issue 2 - February 2024

Riffs 🔊 @popmusicjournal ·

14 Mar

A heartfelt thank you to everyone involved in the creation of our latest issue of Riffs - American Graffiti! A very special thank you to Dr. Nick Gebhardt for all his work for the Write Club and putting this issue together!

Discover the full issue here: https://riffsjournal.org/volume-7-issue-2-february-2024/

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13 Mar

Dive into Nicholas Gebhardt's "And So It All Ends" to conclude our special issue dedicated to George Lucas's American Graffiti.

"And so it all ends, out there, at the edge of town, on the highway…"

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12 Mar

Dive into Asya Draganova’s “DNA of Sound and Vision” in the latest issue of Riffs: Experimental Writing on Popular Music (7.2) on George Lucas’ American Graffiti (1973).

🔗For the full text:

#RiffsJournal #MusicResearch #PopularMusic #AmericanGraffiti

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11 Mar

Dive in to Chris Mapp’s “Function Gig Therapy” in the latest issue of Riffs: Experimental Writing on Popular Music (7.2) on George Lucas’ American Graffiti (1973)!

🔗For the full text:

#RiffsJournal #MusicResearch #PopularMusic #AmericanGraffiti

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8 Mar

Check out Iain A. Taylor's "Ugly Margins / This Scene Doesn’t Fade" in the latest issues of Riffs on George Lucas’ American Graffiti (1973).

"First, a confession. I hold a genuine dislike for the movie American Graffiti."

Read in full here:

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