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Riffs

From New Audiences to Surprised Performers – Silvia Rosani

From New Audiences to Surprised Performers - Silvia Rosani

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Switch, Blend, Aggregate, Divide – Helen Papaioannou and Alessandro Altavilla

Considerations of Utopian and Dystopian Futures of Music – Sylvia Hinz

December 18, 2020 riffsjournal News Leave a comment

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OA journal for experimental writing, art, photography, composition + performance on Popular Music. Current issue: Vol 7, Issue 2 - February 2024

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20 Dec

In "Performing Japaneseness, Playing With Koreanness?", Mayako Liu considers the work and strategies of women Japanese K-Pop artists as they negotiate their professional and personal identities. Read it now on Riffs: https://riffsjournal.org/2024/12/09/mayako-liu/

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19 Dec

Haoran Jiang considers Taiwanese popular music studies in Riffs Vol 8 Issue 1. In plotting key themes and potential futures, Jiang highlights the contributions that great accessibility would mean for popular music scholarship more generally – https://riffsjournal.org/2024/12/09/haoran-jiang/

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17 Dec

In our newest issue of Riffs, author Tiara Wilson analyses Tablo's "Hood", arguing that the rapper, "invites listeners to hear the parallels and differences between Black American and Korean experiences of disenfranchisement in the city." Read/download:

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13 Dec

Guest Editors Sharon Kong-Perring and Mathieu Berbiguier discuss the origins and journey of this special issue of Riffs in the Vol 8 Issue 1 Editorial. Read and download here:
https://riffsjournal.org/2024/12/09/editorial/

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12 Dec

A petition to preserve and celebrate Black British music (instigated by @TheBMRU)
https://bmru.co.uk/a-petition-to-preserve-and-celebrate-black-british-music/
Read, sign, share!

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