Author: Sarah Raine

We are pleased to announce the launch of Volume 7, Issue 2 of Riffs! This issue brings together work developed in …

Citation: Nicholas Gebhardt (2024), “Editorial Note: Marking time”, Riffs: Experimental Writing on Popular Music 7(2): 4.

Citation: Dave Kane (2024), “Where Does a Song Come From?: The origins of ‘Goodbye to Home’”, Riffs: Experimental Writing on …

Citation: Emily Bettison (2024), “A Paradox”, Riffs: Experimental Writing on Popular Music 7(2): 9-10.

Citation: Craig Hamilton (2024), “On Skip Diving and Hot Dogs”, Riffs: Experimental Writing on Popular Music 7(2): 11-14.

Citation: Sarah Raine (2024), “Not Missing a Beat // SHE”, Riffs: Experimental Writing on Popular Music 7(2): 15-18.

Citation: Ed McKeon (2024), “Cut and Cathexis”, Riffs: Experimental Writing on Popular Music 7(2): 19-21.

Citation: Iain A. Taylor (2024), “Ugly Margins / This Scene Doesn’t Fade”, Riffs: Experimental Writing on Popular Music 7(2): 22-23.

Citation: Chris Mapp (2024), “Function Gig Therapy”, Riffs: Experimental Writing on Popular Music 7(2): 24-26.

Citation: Asya Draganova (2024), “DNA of Sound and Vision”, Riffs: Experimental Writing on Popular Music 7(2): 27-29.