Volume 8, Issue 1 – December 2024
We are pleased to announce the publication of Riffs Volume 8, Issue 1: Asian Popular Music. Asian pop music has …
Editorial
Citation: Sharon Kong-Perring and Mathieu Berbiguier (2024), “Editorial”, Riffs: Experimental Writing on Popular Music 8(1): 4-7. DOI: 10.82600/7daa-wx28
Tiara Wilson
Citation: Tiara Wilson (2024), “’The Name We Gave to Struggle and Pain’: Racialised space and authenticity in Tablo’s ‘Hood’”, Riffs: Experimental Writing …
Haoran Jiang
Citation: Haoran Jiang (2024), “Charting the Course: Taiwanese popular music studies in retrospect and prospect”, Riffs: Experimental Writing on Popular Music 8(1): 16-23. …
Mayako Liu
Citation: Mayako Liu (2024), “Performing Japaneseness, Playing With Koreanness?: Female Japanese K-Pop artists and strategies of identity construction”, Riffs: Experimental Writing on …
Júlia Szivák
Citation: Júlia Szivák (2024), “Raja Kumari: The Bridge?”, Riffs: Experimental Writing on Popular Music 8(1): 34-42. DOI: 10.82600/2xhp-0r71
Robert Dahlberg-Sears
Citation: Robert Dahlberg-Sears (2024), “Listening to What Is/n’t: Fieldwork contradictions in Japanese punk scenes”, Riffs: Experimental Writing on Popular Music 8(1): 43-50. DOI: …
Clementine Vania
Citation: Clementine Vania (2024), “The ‘Kwangya’ Paradox: A Study on K-Pop Fandom’s Perception of Authenticity”, Riffs: Experimental Writing on Popular …
Volume 7, Issue 2 – February 2024
We are pleased to announce the launch of Volume 7, Issue 2 of Riffs! This issue brings together work developed in …
Editorial Note: Marking time
Citation: Nicholas Gebhardt (2024), “Editorial Note: Marking time”, Riffs: Experimental Writing on Popular Music 7(2): 4.