Riffs

Citation: Sharon Kong-Perring and Mathieu Berbiguier (2024), “Editorial”, Riffs: Experimental Writing on Popular Music 8(1): 4-7.

Citation: Tiara Wilson (2024), “’The Name We Gave to Struggle and Pain’: Racialised space and authenticity in Tablo’s ‘Hood’”, Riffs: Experimental Writing …

Citation: Haoran Jiang (2024), “Charting the Course: Taiwanese popular music studies in retrospect and prospect”, Riffs: Experimental Writing on Popular Music 8(1): 16-23.

Citation: Mayako Liu (2024), “Performing Japaneseness, Playing With Koreanness?: Female Japanese K-Pop artists and strategies of identity construction”, Riffs: Experimental Writing on …

Citation: Júlia Szivák (2024), “Raja Kumari: The Bridge?”, Riffs: Experimental Writing on Popular Music 8(1): 34-42.

Citation: Robert Dahlberg-Sears (2024), “Listening to What Is/n’t: Fieldwork contradictions in Japanese punk scenes”, Riffs: Experimental Writing on Popular Music 8(1): 43-50.

Citation: Clementine Vania (2024), “The ‘Kwangya’ Paradox: A Study on K-Pop Fandom’s Perception of Authenticity”, Riffs: Experimental Writing on Popular …

We are pleased to announce the launch of Volume 7, Issue 2 of Riffs! This issue brings together work developed in …

Citation: Nicholas Gebhardt (2024), “Editorial Note: Marking time”, Riffs: Experimental Writing on Popular Music 7(2): 4.