Riffs

Citation: Craig Hamilton (2025) “I Swear I Heard This…”, Riffs: Experimental Writing on Popular Music 8(2): 26-28. DOI: 10.82600/gj7s-tk47

Citation: Uttaran Das Gupta (2025) “I Swear I Heard This… FOMO and conspicuous consumption at music events in India“, Riffs: Experimental Writing on …

Citation: Sam Riley (2025) “I Swear I Heard This… Noise Floor“, Riffs: Experimental Writing on Popular Music 8(2): 31-32. DOI: 10.82600/t5mf-6z85

Citation: Naomi Taylor (2025) “I Swear I Heard This… An otherworldly presence“, Riffs: Experimental Writing on Popular Music 8(2): 33-34. DOI: 10.82600/rzjc-px05

Citation: Dave Kane (2025) “I Swear I Heard This… My Old Friend“, Riffs: Experimental Writing on Popular Music 8(2): 35-36.

We are pleased to announce the publication of Riffs Volume 8, Issue 1: Asian Popular Music. Asian pop music has …

Citation: Sharon Kong-Perring and Mathieu Berbiguier (2024), “Editorial”, Riffs: Experimental Writing on Popular Music 8(1): 4-7. DOI: 10.82600/7daa-wx28

Citation: Tiara Wilson (2024), “’The Name We Gave to Struggle and Pain’: Racialised space and authenticity in Tablo’s ‘Hood’”, Riffs: Experimental Writing …

Citation: Haoran Jiang (2024), “Charting the Course: Taiwanese popular music studies in retrospect and prospect”, Riffs: Experimental Writing on Popular Music 8(1): 16-23. …

Citation: Mayako Liu (2024), “Performing Japaneseness, Playing With Koreanness?: Female Japanese K-Pop artists and strategies of identity construction”, Riffs: Experimental Writing on …