Robert Dahlberg-Sears
Citation: Robert Dahlberg-Sears (2024), “Listening to What Is/n’t: Fieldwork contradictions in Japanese punk scenes”, Riffs: Experimental Writing on Popular Music 8(1): 43-50. DOI: …
A Popular Music Studies Journal
Citation: Robert Dahlberg-Sears (2024), “Listening to What Is/n’t: Fieldwork contradictions in Japanese punk scenes”, Riffs: Experimental Writing on Popular Music 8(1): 43-50. DOI: …
Citation: Clementine Vania (2024), “The ‘Kwangya’ Paradox: A Study on K-Pop Fandom’s Perception of Authenticity”, Riffs: Experimental Writing on Popular …
We are pleased to announce the launch of Volume 7, Issue 2 of Riffs! This issue brings together work developed in …
Citation: Nicholas Gebhardt (2024), “Editorial Note: Marking time”, Riffs: Experimental Writing on Popular Music 7(2): 4.
Citation: Dave Kane (2024), “Where Does a Song Come From?: The origins of ‘Goodbye to Home’”, Riffs: Experimental Writing on …
Citation: Emily Bettison (2024), “A Paradox”, Riffs: Experimental Writing on Popular Music 7(2): 9-10.
Citation: Craig Hamilton (2024), “On Skip Diving and Hot Dogs”, Riffs: Experimental Writing on Popular Music 7(2): 11-14.
Citation: Sarah Raine (2024), “Not Missing a Beat // SHE”, Riffs: Experimental Writing on Popular Music 7(2): 15-18.
Citation: Ed McKeon (2024), “Cut and Cathexis”, Riffs: Experimental Writing on Popular Music 7(2): 19-21.
Citation: Iain A. Taylor (2024), “Ugly Margins / This Scene Doesn’t Fade”, Riffs: Experimental Writing on Popular Music 7(2): 22-23.